Joan Vich, 100 x 100 cm, oil on canvas. Original painting by the painter Joan Vich, where he shows his skill with the brush and the palette knive, developing from the use of these two tools the light contrasts that create the leaves of the quince tree and the same fruits, resolved from yellow colors, green and touches of blue, contrasting with a pink background that balances the nuances of the composition.

Guillermo Gil, 73 x 92 cm, oil on canvas. Work of the last decades, in which he experiments with a more academic vision of the Mallorcan landscape. There is a clear predominance of blue, mixed with greens and turquoises to solve the water, and with purples to give an effect of depth from the mountains in the background. All these cold nuances contrast with the orange and ocher tones that form the rocks in the first instance, and letting in the branches of a tree within the composition.

Guillermo Gil, 73 x 92 cm, oil on canvas. Work of the last decades, in which he experiments with a more academic vision of the Mallorcan landscape. There is a clear predominance of blue, mixed with greens and turquoises to solve the water, and with purples to give an effect of depth from the mountains in the background. All these cold nuances contrast with the orange and ocher tones that form the rocks in the first instance, and letting in the branches of a tree within the composition.

Guillermo Gil, 73 x 92 cm, oil on canvas. Work of the last decades, in which he experiments with a more academic vision of the Mallorcan landscape. There is a clear predominance of blue, mixed with greens and turquoises to solve the water, and with purples to give an effect of depth from the mountains in the background. All these cold nuances contrast with the orange and ocher tones that form the rocks in the first instance, and letting in the branches of a tree within the composition.

Horrach Bibiloni, 65 x 92 cm, oil on canvas. The scene is represented by shades of green and blue combined with warm tones to recreate the land and vegetation of Mallorca. The academic style is given by a simple and thoughtful brushstroke.

Rafael Bestard, 54 x 65, oil on canvas. In this work of numerous colors, the artist chooses dark tones that bring him closer to the Fauvist tendency. The brushstroke is sometimes linear and sometimes are strockes of color that create the undefined shapes that characterize this painting. In this painting, the artist reinterprets the Mallorcan landscaping that had taken place in Pollença in the first half of the 20th century.

Joan Vich, 100 x 100 cm, oil on canvas. Maritime landscape of a shore where it divides a rocky set accompanying the sand. The painting is very bright thanks to the use of white and pastel colors such as pink and very light blue, to create shadows and contrasts.

Joan Vich, 100 x 100 cm, oil on canvas. Original painting by the painter Joan Vich, where he shows his skill with the brush and the palette knive, developing from the use of these two tools the light contrasts that create the leaves of the quince tree and the same fruits, resolved from yellow colors, green and touches of blue, contrasting with a pink background that balances the nuances of the composition.

Guillermo Gil, 38 x 46, oil on canvas. This 1985 work approaches the most post-impressionist stage of Guillermo Gil. The brushstroke is quick and vivid, with a clear predominance of green pastel colors to recreate the vegetation that surrounds the Son Anglada estate, with the house in the center of the composition.

Guillermo Gil, 38 x 46, oil on canvas. Representation of a village of the Serra de Tramuntana, from bright and saturated colors that remind us of Fauvist tones. The brushstroke, with excess material, is quick to represent plants, while it is more thoughtful when it comes to houses and architectural details.

Guillermo Gil, 73 x 92 cm, oil on canvas. Work of the last decades, in which he experiments with a more academic vision of the Mallorcan landscape. There is a clear predominance of blue, mixed with greens and turquoises to solve the water, and with purples to give an effect of depth from the mountains in the background. All these cold nuances contrast with the orange and ocher tones that form the rocks in the first instance, and letting in the branches of a tree within the composition.

Manuel Coronado, 46 x 55 cm, oil on canvas. Work of the abstract stage of the artist. Violet tones predominate, with shades of red, blue and white. It is a clear example of the most psychedelic stage of the painter, in which he does not abandon the bright colors, whose use is a constant throughout his career.